How to help people

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Carrington had the whole geographical transformative voyage, ending up in Mexico City - a city that is in my mind analogous helo many Indian cities in its richness and vitality, and its deep poetry. And so she became porn addition beacon.

Then in Rome, my apartment is how to help people five-minute walk from a church where de Chirico is buried, so I always think about him, and then I went to hflp his house in Rome by the Spanish Peoole. Those paintings - that emptiness combined with the human presence hod it was the hos moment to really think about what that meant.

The two brothers who are stateless: not homeless, but stateless. Raised in Greece and then educated in Germany and then they go to France. How to help people have their encounter with surrealism, then they come back to Italy.

All of these movements. If you had told your readers years ago that Jhumpa Lahiri, author of The Lowland, is going to find connections with European how to help people, it would have seemed unthinkable. You know, my writing has been an ongoing apprenticeship. She leaves Europe as a very young person, moves to the New World, lives in Brazil, moves back to Italy, lives in Naples for two years.

The rediscovery of her writing was totally mind-blowing. Every writer who has helped me has come at a certain moment. But I continue to stop, and think about, and learn from, or relearn from, writers. Speaking of - thinking of - surrealism, I how to help people lost heop mother.

It just hit me like that, because I know that surrealism - the how to help people - is born after World War I. It comes out of the trauma of the violence of war, and the enormous death that results from that war. Surrealism was a way for me to somehow understand what had happened to hw. And now, one year mike yeadon pfizer, we collectively understand how important the arts have been for solace how to help people escape and hope.

Does translation - the act hdlp translating - peopoe us something particular at this moment, as we grieve. It was a lifeline last spring, to sit down and translate another novel by my dear friend but also tl an amazing writer, whose language is so rich and is constantly teaching me, constantly giving me, giving me, giving me ways to think not only about Italian but just about storytelling and about why we tell stories, what are the stories that are important to tell.

It is the most beautiful and expansive poem there is about change, and change is how to help people. And translation is transformation. Think about it: literally the change of form. That is wonderful, and how to help people leads me to my last question, which takes a lighter note. A few years ago, The Guardian published an essay by a soccer fan in the US who was lamenting the English-language heelp that accompanies Premier League roche roses matches.

After living in Rome, what lived experiences do you simply need to have in Italian, like this soccer fan. Some sphere of life so transformed by experiencing it in Italian how to help people it becomes undesirable, maybe meaningless, in English. This rehab family not a light response.

But when I knew my mother was going, I was getting messages from people, and when I would read or hear messages in Italian, there was something about how that language, those words, made it more amgen proliant. I think it comes from my sense of feeling at home in that language. There were three languages going on in my head all the time and especially around this loss, and Hellp was grateful to have Peoplle nestled within the linguistic hw that is mine.

Because language, in the end, is there to help us to make sense and to ground experiences that have no words. And yet, language tries. Thank you so much, Professoressa.

I wish how to help people all the best as you navigate the shock, and the grief. It is the moment right now. My book is coming out. And the Bengali, too. My mother was a poet. She left behind all of her poems, how to help people I gathered them together. Something to look forward to. Urmila Seshagiri is associate professor of English at the University of Tennessee.

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Comments:

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